Interview with Sonny Charles – The Backtrack Blues Band: Sweet Home Florida: Video, Photos

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Q&A with Sonny Charles of Backtrack Blues Band – one of Florida’s most accomplished and leading blues bands.

What does the blues mean to you?

In addition to being great entertainment, blues music is a celebration of all aspects of life. For me, blues music pays tribute to both happiness and the good times, as well as the sad and tragic moments that life has to offer. From a broad perspective, blues music is a vehicle for the celebration of the human condition, wrapped in the great musical expressions of the blues.

How would you characterize your band’s music and philosophy?

As musicians, we have devoted much study of blues music as created by the great masters like Sonny Boy Williamson, Little Walter, Muddy Waters, B.B. King, T-Bone Walker, Albert King, etc. The wonderful African American traditions have inspired us to write and perform our music. The band’s basic sound borrows from two different foundations. The rhythm section and harp playing are based largely on Chicago blues, while the lead guitar is rooted heavily in Texas blues- styling. The combination of those two formats blend together to create our sound.

What is the best advice anyone ever gave you?

Pursue the things that you are passionate about. Life is too short to waste time on things you don’t love.

Are there any memories from gigs, jams, and studio sessions that you’d like to share with us?

We have been blessed to perform with lots of exceptional blues artists over the past 30 years. Artists like Buddy Guy, Robert Cray, Gregg Altman, Koko Taylor, John Lee Hooker, and Kenny Wayne Shepherd come to mind. But when it comes to my favorite memories, there are two performers that stand apart from all the others. The first is Stevie Ray Vaughan. We opened for his concert in Tampa, Florida; and his showmanship and raw talent were unbelievable. B.B King also provided some unique memories. We had the privilege of opening four different concerts for B.B. King over the years, and he was always the consummate gentlemen. B.B. was so kind to us, as an opening act, and shared his affection with all of his fans. For me, he defined the concept of a “professional” in every sense of the word.

If you could change one thing in the musical world and it would become a reality, what would that be?

I would love to get rid of the entire musical “downloads” industry. Albums cost tens of thousands of dollars to produce and are downloaded for a few pennies. The fact that the download industry puts such a small value on this art is shameful. In addition, it has harmed CD sales worldwide and led to the failure of many small record stores everywhere. I wish we would return to a day where consumers had to purchase CDs or vinyl in order to acquire music.

What has made you laugh from the Tampa Bay Blues Festivals?

We have a fabulous blues music scene on the west coast of Florida, with lots of serious blues musicians who support and respect one another. The friendships shared among the Florida blues musicians is something I value. Of course, the Tampa Bay Blues Festival has been a part of the Florida blues music scene for 24 years and has played a significant role in bringing attention to our musical community. One of my funniest memories from the Tampa Bay Blues Festival occurred almost 20 years ago when George Thorogood performed at the festival. Mr. Thorogood is a big baseball fan, and prior to performing at the festival, he threw out the first pitch at a Tampa Bay Rays baseball game. While at the game, George ran into two notorious professional wrestlers known as “The Nasty Boys.” George invited The Nasty Boys to the blues festival where they proceeded to raise havoc backstage and torment our security personnel. It was a huge disruption at the time, but as I look back upon it, that episode was rather humorous. Whatever you do, don’t invite The Nasty Boys to your music festival!

What do you miss nowadays from the blues of the past?

In my personal opinion, too many of the current blues performers lean heavily towards the sounds of rock and roll. Lots of the guitarists play fast and loud, but to my ear, lack the tone and nuance of the great guitar players from the past. Of course, there are many exceptions to this general observation, and current guitar players like Jimmie Vaughan, Anson Funderburgh, Ronnie Earl, and Kid RoyaI still carry on the great blues traditions.

What is the impact of blues music and culture to the racial, political, and socio­cultural implications?

Anytime a person immerses themselves in the music and culture rom other traditions, there is much to be learned. In the United States, the emergence of blues music and its acceptance throughout society as a popular form of entertainment played a significant role in bringing people together.

Let’s take a trip with a time machine, so where and why would you really want to go for a whole day?

If it were a musical journey, my decision is easy. I’d like to go to the great blues clubs of Chicago in the 1950s or early 1960s and hear my favorite blues artist, Little Walter. Hopefully, I would be able to catch a show where Little Walker and Paul Butterfield showed up and jammed together. Little Walter is my favorite harmonica player of all time and was a true genius.so I’d like to take a trip back in time and spend a day listening to the world’s greatest blues harmonica player who has influenced my life and music.

Interview by Michael Limnios

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